Her energetic brushwork and sensual use of paint have earned her comparison to Willem de Kooning and Francis Bacon . Courtesy of the artist and Paul Cooper Gallery.

Cecily Brown: A Day! London-born painter Cecily Brown creates vivid, atmospheric depictions of fragmented bodies, often in erotic positions, that are depicted among swells of color and gesture. Cecily Brown: A Day! BOMB is proud to partner with Artcore and to offer shipping at a discounted rate. London-born painter Cecily Brown creates vivid, atmospheric depictions of fragmented bodies, often in erotic positions, that are depicted among swells of color and gesture. These works were successful if they produced reverberations of the human figure and prompted an introspective consideration of one’s own bodily presence. Owing to the dictates of her elaborative painterly process, works in this exhibition ensnare the viewer in a state of sustained looking. Help! The distinction between painted figure and viewer is collapsed, a sensation heightened evermore by the orientation of the figure with back turned to the audience. Where Kusama gives you infinity in a room, Brown paints you into her shipwreck: You are a material form in the process of becoming, alongside the flesh, wreckage, and masterfully applied brushstrokes. Work will ship from New York, NY and shipping/collection. Shipping costs are the responsibility of the buyer. Help! Another Day! Beyond the perfect selfie backdrop, these rooms foment a phenomenological encounter between participant and environment. Another Day! Her energetic brushwork and sensual use of paint have earned her comparison to Willem de Kooning and Francis Bacon. This back-turned figure repeats in another painting in the exhibition, the equally enigmatic Madrepora (Shipwreck), (2016).
As the viewer walks from edge to edge of her painting (which is the only way to fully absorb the behemoth masterpiece) both body and eye activate as the ambulatory motion reveals recognizable traces of flesh, wreckage, and the elements. Even more than these Instagram-friendly environments, Brown asks the viewer to slow down and participate in the unfolding of her canvases. "artcritical," "artcritical.com" and "The Review Panel" (c) artcritical, LLC 2003-2010, The Hermetic and the Everyday: Dan Walsh at Paula Cooper, David Smith at Gagosian and Carl Andre at Paula Cooper, Dangerous Tangles: Cecily Brown, Rosy Keyser and the Undoing of Images, Mark di Suvero at Paula Cooper, Jessica Stockholder at Gorney Bravin + Lee, Jeff Gauntt at Brent Sikkema, “You Can’t Beat The Clock”: Christian Marclay at Paula Cooper, In a Galaxy of their Own Design: Line and Atmosphere in Hans Hartung, Not The Readymade Modernist After All: A revisionist take on early Robert Motherwell, The Review Panel Returns February 11 at Brooklyn Public Library, A Big Umbrella: “All Too Human” at Tate Britain, Workable Identity: Charles Gaines at Paula Cooper, Jenny Saville ROUNDTABLE: Julie Heffernan, Brenda Zlamany, Dennis Kardon, Walter Robinson, Barry Schwabsky, and Suzy Spence, “A Painted Place”: David Novros at Paula Cooper, “This is how it’s done”: David Salle Curates Recent Painting, On Kawara: January 2, 1933 – June 27, 2014, Vera Iliatova: Over the Brooklyn Bridge to Letniy Sad (Summer Garden), A Part of the Main: Davina Semo at Marlborough Contemporary, Sun and Earth: Melanie Schiff at Kate Werble, Wood, Light and Steel from Ash: Xu Bing’s Phoenixes, Window on the Environment: Etty Yaniv in DUMBO. While Brown deals in plastic media, her mesmerizing canvases elicit the immersive environments and absorptive states which characterize the most successful installation art around today.

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