In December 2004, Patrick Robinson announced that he was leaving his post as design consultant for Perry Ellis.

Les tableaux sont le meilleur endroit pour sauvegarder des images et des vidéos. Really, what could be more all-American than that? I grew up with it. I love seeing the breadth of it and being the one that helps make sure it all stays on the road and together. You won’t find that at H&M or at Zara or at Target, because they’re playing to a different drummer. Since 1998. I’d go before school, during school, after school — but after school was always the best, because you’d paddle out and watch the sun set. View Patrick Robinson’s profile on LinkedIn, the world's largest professional community. Sélectionner au maximum 100 images à télécharger. These days, Patrick Robinson is in at the Gap, where he’s been executive vice president for the ailing giant since last May. PR: I love the pressure. Patrick is married to Vogue's fashion market director Virginia Smith and has a son Wyeth born in 2003. All of these brands have figured out that it’s not so much about your brand and its heritage as about servicing a need for fast fashion. PR: I see it very clearly that the heritage of Gap is truly thinking about all the classics. It’s not like it has to be hard. I even sculpted my own surfboards, that sort of thing. I grew up surfing every day, which I wish I could do in New York.

Did you focus-group? And there’s nothing wrong with that.

My father was a doctor, so I applied thinking that’s what he’d want me to do. PR: We have organic underwear in the store now, but that’s not the whole answer. I always thought I wanted to be a sculptor, because I loved building things. Why do you think Gap can reach people as opposed to all these other brands that are trying to grab their attention?

I’m going to buy my T-shirts there. He started making and selling garments to friends in High School, when he realized that he wanted to be a fashion designer.

I like the idea of not being Patrick Robinson, but working for Gap. So I started this cool little surf company, making surf trunks and selling them to all the kids at school.

It’s not that we’re hiring designers to come in and design a collection of their own for Gap. PR: And I like that a lot. A central authority for the fashion and luxury industry. Patrick Robinson. That’s part of my whole thought process. Since then his work has been hailed as a triumph. Patrick was appointed Creative Director of Perry Ellis Womens Sportswear in April 2003 and brought out his first collection for the house for Spring/Summer 2004. They’re just being treated humanely. They showed their first collection at Magic, in Las Vegas. You’re coming to Gap to find khakis. Trouvez les Patrick Robinson Modedesigner images et les photos d’actualités parfaites sur Getty Images. And you’re not going to be fooled-the polo has to fit right, the khakis have to be cool, the fabrics have to be right. PR: He had always wanted to be an artist.

I just did it. He took the desert boot and made it his own. All Rights Reserved.

Patrick Robinson is a California-born American fashion designer who has worked for such names as Giorgio Armani, Anne Klein, Perry Ellis, and Paco Rabanne.

He launched his own Sportswear label in 1997 which did very well. PR: Yeah, it’s how I live. He says he looks for what is relevant about Ellis today, mentioning the optimisim of the designer who died in 1986 but left a dynamic house. I love the size of this company. {{collectionsDisplayName(searchView.appliedFilters)}}, {{searchText.groupByEventToggleImages()}}, {{searchText.groupByEventToggleEvents()}}. Someone would wear it with a jean jacket and a distressed V-neck T-shirt.

One is classic clothing. They were a major part of my very limited wardrobe, along with Chinese slippers and pegged jeans. So they actually formed an in-house global compliance department.

He started making and selling garments to friends in High School, when he realized that he wanted to be a fashion designer.

PR: I sewed them myself. How do you approach making those classic pieces that people consider essential?

But when Gap played in that field, you know, it wasn’t the right field to play in.

Le design Getty Images est une marque de Getty Images. They’re designing their aesthetic for Gap.

A Cultural Hallmark and Non-Profit Research Project for the fashion industry and science. AS: You’ve been in fashion your whole life, graduating from Parsons in 1989.

PR: Looks cold and the waves are small! Just get back to doing that and doing it well.

AS: But fashion consumers these days are jaded.

I probably need to go lie on a couch somewhere — I’m actually a company man. I love how it all comes together and makes this big umbrella. © 1998-2020 The Fashion Model Directory – FMD. We’re the best out there that do it.

But hearing about your surfing background, maybe you’ve come full circle in terms of focusing on that casual lifestyle? We’re serving people, instead of saying, “This is the look, and it’s only going to be cool for six months.”. Nathan Fielder and Louis Theroux Teach a Masterclass on the Art of Awkward, Anna Khachiyan Shares Her Gut Reactions On Everything From Toxic Masculinity to ‘Vanderpump Rules’, Rick Owens and Miley Cyrus on Rock Stars, Recklessness, and Life on the Road, “I’m a WASP with a WAP”: Chloe Fineman on Chloe Fineman, Dylan Sprouse Returns to the Hotel Suite—This Time, in a Pink Dress, Shimmying the House Down with Supermodels Linda Evangelista and Christy Turlington, The Saint Laurent Rive Droite Project Brings Together Anthony Vaccarello and Helmut Lang, “This Is Getting Hot”: Arca and Rosalía Remember the Before Time, Jane Fonda Tells Indya Moore How Her Lifelong Activism Prepared Her for This Moment, Maisie Williams Tells Charlie Heaton About Her Newfound Freedom. I also applied to do premed. Patrick has 2 jobs listed on their profile. AS: Gap has had a history of spotty manufacturing and bad working conditions. We’ll make a khaki and someone would wear it with the peacoat and a white T-shirt.

After stints at Perry Ellis, Paco Rabanne, and Gap, designer Patrick Robinson is once again staging a comeback--this time, as creative director of Armani Exchange. Designer clothes by Patrick Robinson are high-performance, eco-friendly lifestyle apparel sustainably made for wherever passion takes you. By Ariana Speyer Photography Mikael Jansson. AS: A lot of people might be turned off by a big bureaucracy. I grew up with Gap — I am the focus group. Then, it’s all about Roberto Cavalli. That took me a while to figure out. Pour élargir votre recherche, essayez ceci : Vérifiez qu'il n'y a ni faute d'orthographe, ni erreur de frappe.

PR: It’s really, really good. And we know what it has to be. I don’t eat organically — I eat locally, which is a whole different mentality of living. Which was cool, because it did make fashion accessible-it created some excitement. So that taught me what I wanted to do and taught me my craft. All the things that we can say are classics that we’ve made new-by making a change in proportion, a change in color, a change in the print, a change in the patterns, and putting it together in an interesting way.

It’s playing with a classic element but then putting your own stamp on it, which is different than when Roberto Cavalli does something for H&M. Patrick Robinson, the head designer who was let go from Gap for his "uninspiring" designs, was recently hired and the very quietly fired from Armani Exchange. In May 2007 Robinson designed an affordable collection for Target Corporation's Go International line. I used to go to the Quiksilver warehouse. So my father never really fulfilled his dream.

It’s not like it was when Gap started in 1969, before more trend-conscious European chains like H&M and Zara became so dominant.

PR: I didn’t own an overcoat before I went to Parsons. I like making classic sportswear more than I liked even doing Paco Rabanne, which had the whole metal thing, the futurism. Gap’s about having that iconic piece and actually building a wardrobe around it. We’re walking toward that; we’re really not there yet. His father actually forced him into being a doctor, because in the early ’60s, as a black man, you weren’t going to let your son be an artist.

And then moving to the East Coast really put it all into perspective: All of a sudden I had to start dressing in black like a New Yorker.

And whenever I speak to my design team about this, they get excited, because that’s the way they’re beginning to live.

AS: So he thought being a designer was more practical?

That’s what Gap’s all about. I’m going to buy my underwear there. You make Gap yours. I’m going to buy a great peasant shirt. I probably need to go lie on a couch somewhere—I’m actually a company man. © 2020 Getty Images.

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